A harrowing look lives and struggles of a new generation of Chinese workers confronting the Apple-Foxconn empire and the Chinese state. Suicides, excessive overtime, and hostility and violence on the factory floor in China. Drawing on vivid testimonies from rural migrant workers, student interns, managers and trade union staff, Dying for an iPhone is a devastating expose of two...(展开全部)

More then those of any other living photographer, Sebastiao Salgado's images of the world's poor stand in tribute to the human condition. Salgado defines his work as "militant photography" dedicated to "the best comprehension of man"; over the decades he has bestowed great dignity on the most isolated and neglected among us-- from famine-stricken refugees in the Sahel to the in...(展开全部)

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

In Borderland Dreams June Hee Kwon explores the trajectory of the “Korean dream” that has fueled the massive migration of Korean Chinese workers from the Korean Autonomous Prefecture of Yanbian in northeast China to South Korea since the early 1990s. Charting the interplay of bodies, money, and time, the ethnography reveals how these migrant workers, in the course of pursuing t...(展开全部)

扎比内.舒尔策（Sabine Schulze）： 毕业于德国幕尼黑大学（Ludwig Maximilian University），主攻艺术史研究、考古学、以及德国研究，并活跃于幕尼黑设计博物馆。1984至1989年间于法兰克福雕塑博物馆（Liebieghaus Skulpturensammlung）接受培训并进行学术研究；1989至1996年在法兰克福席尔恩美术馆（Schirn Kunsthalle Frankfurt）担任策展人；自1994年起担任席席尔恩美术馆的管理委员会成员；曾于1996年担任施塔德尔博物馆（Stadel Museum）的19与20世纪绘画馆藏临时总监。 伊娜.格雷茨（Ina Gratz） 德国汉堡艺术与工艺美术博物馆当代馆藏策展人。在德国汉堡大学和荷兰格罗宁根大学攻读艺术史、新教神学、德国研究以及文化人类学。

扎比内.舒尔策（Sabine Schulze）： 毕业于德国幕尼黑大学（Ludwig Maximilian University），主攻艺术史研究、考古学、以及德国研究，并活跃于幕尼黑设计博物馆。1984至1989年间于法兰克福雕塑博物馆（Liebieghaus Skulpturensammlung）接受培训并进行学术研究；1989至1996年在法兰克福席尔恩美术馆（Schirn Kunsthalle Frankfurt）担任策展人；自1994年起担任席席尔恩美术馆的管理委员会成员；曾于1996年担任施塔德尔博物馆（Stadel Museum）的19与20世纪绘画馆藏临时总监。 伊娜.格雷茨（Ina Gratz） 德国汉堡艺术与工艺美术博物馆当代馆藏策展人。在德国汉堡大学和荷兰格罗宁根大学攻读艺术史、新教神学、德国研究以及文化人类学。

Dirk t'Larien journeys to the planet Worlorn, site of the great Festival of Worlds, and, in the desolate twilight descending on the once bright planet, struggles to save his former lover, Gwen, from an alien nobleman. Reprint. 25,000 first printing.

An engaging look at the drivers of China's impressive development and rise as a potential economic superpower Explains China's unique position as both a transition and a developing economy Highlights the importance of entrepreneurship and the development of the private sector and shows that the structure of the economy is as important as the standard growth factors Examines Chi...(展开全部)

In homes and brothels around the world, migrant women are selling a unique commodity: care. Care for Sale is an in-depth ethnography of a group of middle-class women from Latin America who exchange care and intimacy for money while working as domestic and sex workers in London. Illuminating the complexities of care work, the book offers a detailed study of women's lives and wor...(展开全部)

诺贝特•埃利亚斯（Norbert Elias, 1897—1990），德裔社会学家，20世纪百科全书式人物，被誉为“21世纪的社会学家”。他出生在当时西里西亚地区的布雷斯劳（现称弗罗茨瓦夫，现属波兰）的一个犹太富商家庭，早年曾兼修医学与哲学，取得博士学位后转攻社会学，先后师从韦伯和曼海姆。纳粹上台后，他先是流亡巴黎，后赴英国继续学术研究。1939年，他的名著《文明的进程》首次出版。1940年，他曾由于德国人身份而被关入拘留营八个月时间。战后，他在英国、德国、荷兰等地的院校任教。他是反思性历史社会学家的代表，通过自我反思的追问来理解现代性，致力于细致的经验研究和长时段历史研究，代表作还有《宫廷社会》《个体的社会》《莫扎特的成败》《符号理论》等。 译者：索马里，曾供职于《GQ智族》《彭博商业周刊》，现为99读书人副总编辑，译有《一个自杀者的传说》《记忆之...(展开全部)